Framing a work of art is an aesthetic decision that can have a significant impact on how your work of art holds space and what it communicates. The frame can make a small piece feel larger, an older work feel more contemporary, or a quieter work feel more expressive.

First dos:

Float rather than mat. Works of art like to breathe and few things stifle air more than being held down by a mat. The work should be floated on a flat, white mat.

Create space around the artwork. Leave an equal amount of space around the object: top, bottom, left, and right. Choose a minimum of 1/2” and a maximum of 2” unless the work is very large (over 48”) or very small (under 6”) and you are making an intentional decision about how much space you want the artwork to fill on a wall.

Select a simple frame: white, black, or blonde mat, never glossy wood. If you are not sure what color to pick, always go with white.

The face of the frame should be flat, the edges square.

Most works enjoy a 1” face and a 1” depth of the wooden frame. Large works can be 1 1/2” by 1 1/2”. Always have the width and the depth be equal.

Avoid odd numbers and fractions other than 1/2.

Next don’ts:

Don’t frame contemporary paintings. Seeing the edges of the canvas adds to the experience of the work.

Don’t spend more on the frame then you spent on the artwork. Framing is expensive so make sure you ask the cost before you sign off.

Don’t frame with glass. Broken glass from a frame is one of the most common ways works of art get damaged.

Don’t hang works on paper in direct sun. And if your home is very bright you can consider using UV plexiglass  to cut down the sun exposure.

If the work or art comes in an artist made or chosen frame don’t change it no matter what. Consider it part of the artwork because it is!

Occasionally it is fun to reframe an older or already framed work. Think of it like a hairstyle change or wardrobe refresh!

Image: Mary Heilmann, Mirage, c. 2009, Watercolor on paper, 24 x 18 in.

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